10/2/2023 0 Comments Fantage armsWant a shorty for home defense? The bullpup layout allows an 18-inch, non-NFA-barreled shotgun to take up way less space, then should you want to take it hunting, it’s a simple process to change it out. Barrel swaps are a simple affair - loosen one screw, slide out the old barrel, and slip in the new, so there’s nothing more complicated than in traditional designs. Operating the trigger with the support hand does, however, take some getting used to. Due to the fact that the weight is to the rear, it’s closer to the shooter and is less tiring to carry in the field - it also helps with target transitions as the SIX12 is a very fast-swinging gun. A user doesn’t have to change their grip and on a work carbine, should they need to switch and go to the SIX12, all it takes is an extension of the index finger onto the trigger of the shotgun and they’re in business.įor the recreational shooter or hunter, the shotgun can be decked out with black polymer or wood furniture, depending on wants and needs. One of the most appealing features of the gun, when it’s underslung, is that the shooter’s support hand rests comfortably just ahead of the cylinder. Not having to pump the fore-end is a bonus in the event of a dud primer, as the user doesn’t have to activate a lever in order to unlock the breech they simply pull the trigger to get to the next round. ![]() With the ability to quickly swap cylinders, it’s a simple matter to swap in loads specific for the environment and based on your immediate needs, such as vehicle intervention or less-than-lethal munitions. ![]() As the trigger is operated with the support hand while it’s in a firing grip on the most lethal of the two, a breacher can transition instantly between weapon systems, should a threat present itself. When affixed to a rifle (itself a simple procedure, so long as a 6 o’clock rail is present) there’s nothing major to change on either the host or the SIX12. The first is a compact, standalone breaching shotgun, the second an under-barrel addition to a carbine, and the third is a bullpup, which can be configured as an integrally suppressed variant through the addition of a dedicated can. The manufacturer offers three versions of the weapon system. In the 19th century, the Russian Nagant revolver sought to overcome this by using cartridge cases that protruded from the front of the cylinder, and which were pressed into engagement with the barrel’s forcing cone when the pistol was cocked. Now, you might think that the typical cylinder gap problems conventional revolvers must contend with might be a bigger drawback when it comes to lighting off a 12-gauge round. ![]() ![]() Should the shooter need one round for door breaching and another for a vehicle assault it’s as simple as swapping the cylinders via an under-mount lever that is at the bottom of the weapon. This also allows rapid switching between different types of rounds for whatever environment the user finds themselves in, and unlike the speedloaders found in 3-gun’s Open division, cylinders will fit into many of the pouches that you likely already own. Unlike in a typical handgun, the cylinder is removable so the user can reload very quickly. Ditch the bullpup stock and screw on a short barrel, and the SIX12 plays well with an SBR.
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10/2/2023 0 Comments Alfred dreyfus wife and children![]() Polanski did not devise this approach to the Dreyfus Affair on his own. But Picquart, played ably by Jean Dujardin, appears in nearly every scene. Dreyfus (Louis Garrel) does surface frequently, mostly depicted in moments of mute agony. This is not quite Hamlet without the prince. Instead, Polanski’s hero is the intelligence officer Georges Picquart, whose efforts forced the reopening of the case after Dreyfus had departed to serve his life sentence, leading eventually to Dreyfus’s pardon in 1899 and then his exoneration in 1906. Captain Alfred Dreyfus also comes off in the film as an unsympathetically stiff, awkward, neurasthenic character (a harsh interpretation, although one with some basis in fact). It is, then, perhaps no coincidence that he made the film in such a way that the character he identifies with has a distinctly secondary role. Polanski knows perfectly well that much of his past conduct-several other women have also credibly accused him of sexual abuse-will not stand close scrutiny. The problem is not just that Polanski equates Dreyfus’s terrible suffering with his own, far less severe legal experiences (although he has, in his life, known terrible trauma: as a child, he barely survived the Holocaust that took the lives of most of his Polish Jewish family, and in 1969 the Charles Manson gang gruesomely murdered his wife Sharon Tate). But Polanski’s identification with Dreyfus, and his desire to expose what he called, in the interview, an “apparatus of persecution” similar to the one he believes he persecuted him, taints the film. Suspensefully paced, featuring superb acting (notably Grégory Gadebois as the repulsive Colonel Hubert-Joseph Henry), and set in a lush, scrupulously accurate, if somewhat stereotyped recreation of fin-de-siècle France (complete with Can-Can dancers and a déjeuner sur l’herbe), it fully reflects Polanski’s seasoned ability to craft compulsively watchable cinema. It is also an expert piece of film making. ![]() And who can watch Woody Allen’s Manhattan, with its portrayal of a sexual relationship between a middle-aged character based on and played by Allen himself, and a high school girl, and not think of Allen’s own deeply troubling sexual history? An Officer and a Spy might seem to have little to do with Roman Polanski’s past conduct. Rudyard Kipling’s irresistibly readable verse is riddled with casual racism and praise for some of the ugliest aspects of British imperialism. Ezra Pound’s hauntingly beautiful “Pisan Cantos” contain nasty anti-Semitic passages, which acquire all the more significance in light of Pound’s pro-Axis propaganda broadcasts during World War II. But the artists themselves sometimes make the distinction too difficult to sustain. Without such a distinction, we might have to cancel a large portion of the world’s great art and literature. In principle, it is a good thing to distinguish the artist from the art, and to refrain from condemning the latter simply because of the former’s conduct or opinions. The sympathetic interviewer attributed the director’s travails to “neo-feminist McCarthyism.” Press materials circulated for his film An Officer and a Spy, about the Dreyfus Affair, included an interview in which Polanski explicitly compared himself to Dreyfus, the French Jewish army officer unjustly convicted in 1895 of spying for Germany and sentenced to life imprisonment on Devil’s Island. Roman Polanski? Needless to say, the Polish-born director, who fled the United States in 1978 after being indicted for the rape of a thirteen-year-old girl, does not belong in the company of these other victims. ![]() Think of famous victims of injustice in modern history: Thomas More, Galileo, Jean Calas, Alfred Dreyfus, Roman Polanski. 10/2/2023 0 Comments Led green screenThese colors are ideal for the chroma key shoot because they don't appear in natural skin tones. Suitable backgrounds for the studio are blue (blue screen) or green (green screen). With the right preparation, you create the best conditions for simple and effective green screen lighting. You can save yourself this time-consuming extra work by observing a few things when setting up your green screen studio. As a result, undesirable effects such as spill almost always occur. ![]() ![]() Because: The object that you want to cut out does not stand out well from the background or can hardly be separated from the green tone of the background. An unfavorable chroma key shoot means that you have to put in a lot of subsequent work. If the green screen is poorly lit, this is usually not indicated during the recording, but only when you want to edit your material later. Requirements for good green screen lighting Make sure to keep the shadow edges as soft as possible. Furthermore, reflections should be avoided as much as possible, as they significantly disrupt the overall impression.It is important not to falsify the color by the light, but to create the right shade of green.A uniformly illuminated background surface is the be-all and end-all for your green screen lighting, otherwise you will run into problems later when you are working on the material.There is a lot to consider in this regard, especially when it comes to lighting. Before you can start, you have to set up your green screen studio as optimally as possible. No wonder: with the right equipment and a few tricks you can conjure up a studio out of a small room that opens up many possibilities. While the technology used to be reserved for professionals only, it is now also enjoying great popularity among semi-professional filmmakers: Many videographers who record videos for YouTube or Facebook have already recognized the advantages of a green screen. ![]() Illuminate green screen - tips and tricks for perfect green screen videosĪ green screen studio gives you as a video producer the opportunity to incorporate impressive effects into your films. 10/2/2023 0 Comments Comic life 3 page landscape![]() White was that magazine’s first fiction editor-she was an early publisher of many famous writers, including E. White describes her gardening habits as “careless,” “lazy,” and “amateur,” but the critical eye and exacting taste that come through in her collected gardening columns for The New Yorker are a delight. Onward and Upward in the Garden, by Katharine S. Even if you know nothing about the sport, James conveys its richness-how a batter’s style can reflect both individual personality and a society’s priorities, and how the game effortlessly connects its followers with the wider world. Beyond a Boundary makes the case that cricket is impossible to understand without considering its historical, social, and cultural context in the book’s most ambitious moments, it argues for cricket’s foundational place in modern British history and for its status as a dramatic and visual art. “Cricket,” he writes, “had plunged me into politics long before I was aware of it”-in part because class and race tensions on the island played out among its socially stratified clubs. He even credits the sport for his activism. James spent a lifetime steeped in the sport: He disappointed his family by focusing on the game rather than schoolwork, played for a first-class club on Trinidad, and eventually covered cricket as a journalist in England. Less known is his obsession with cricket. James, the Trinidadian scholar, might best be known for his Marxist writings and his advocacy for Caribbean independence. Read: Learn a foreign language before it’s too late “The more I feel imperfect,” she writes, “the more I feel alive.” Every unknown word a jewel.” Beneath her sense of wonder is a deeper argument-that plunging into new skills for the love of them is fundamentally hopeful, even transcendent. But Italian reintroduces mystery, delight, and intensity to her reading: “Every page seems to have a light covering of mist,” she writes. When she begins composing stories in Italian, she’s aware that she will never attain the facility she has in English. The march toward fluency, she admits, is “a continuous trial.” She mixes up similar words such as schiacciare (“crush”) and scacciare (“expel”), uses the wrong prepositions, and can’t quite get the hang of when to use simple or imperfect past tense. ![]() This bilingual series of reflections-the original Italian on the left, an English translation by Ann Goldstein on the right-charts her love affair with the Romance language, from her “indiscreet, absurd longing” upon first hearing it on a trip to Florence to the 20 years of language classes, tutoring, and diligent self-teaching that followed. In 2012, Lahiri moved to Rome and stopped reading and writing in English in order to immerse herself in Italian. And they so vividly capture the satisfactions of the pursuits they describe that you might be tempted to take up gardening or long-distance running or bookbinding and enlarge your sense of your own capabilities. Look closely enough at any human endeavor, these books suggest, and you’ll find lessons on our relationship to the natural world, to history, to other cultures, and to our own body. The seven books below also describe the experience of becoming absorbed by a skill or craft, and deliver insights into what mundane activities-say, playing sports or learning a foreign language-can tell us about how we live today. What drew me in was its wonderful opening essay, in which Mendelson, a novelist, professor, and lawyer, argues for the importance and dignity of keeping house-an act “that makes your home alive, that turns it into a small society in its own right, a vital place with its own ways and rhythms.” Although I remain a haphazard housekeeper, I’ve become convinced that housekeeping is both an art and a science, an enterprise whose meaning extends far beyond keeping one’s home clean. First published in 1999, this unlikely best seller contains nearly 900 pages of practical advice-the proper way to wash dishes, the use of furniture paste wax. I credit and blame one book for all of this: Cheryl Mendelson’s Home Comforts. I even recently found myself describing it as “fun.” I have drawn up cleaning schedules, spent far too much time thinking about the relative merits of different fabrics, and become chipper when loading the dishwasher. For the past six months, I have been obsessed with housekeeping-something that, all of my former roommates can attest, I have previously shown neither interest in nor aptitude for. |
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